The second book of
my Unfinished Business saga is The Name of the Rose by Umberto Eco. Here's a
little background on my relationship with this book: It was a required reading
when I was a junior in high school (Lord knows why they would make teenagers read
this difficult book). We weren't even required to read half the book; the
teacher gave us a few passages to read and we had to analyze one or we could
pick our own. I wrote about a passage where Adso, the narrator, ruminated on a
passionate and illustrious depiction of Jesus and heavenly and hellish
creatures on the doors of the church. The passage goes on several pages. I received a high grade for the
paper and my teacher encouraged me to read the book in full in my own time. A
few years later, the book was on sale on Amazon so I bought it in hopes of
finally reading it. I didn't make it even to the passage from before.
It has taken me
eight long years to read the book from beginning to finish. But by God, I've
done it! I legit felt like Rocky at the top of the stairs. I may have done my own victory dance.

I'm surprised I
liked the book as much as I did. It is a bit of a historical fiction about a
murder mystery involving monks at an abbey in Northern Italy in 1327. Not
exactly my normal read. I like books that capture my attention from the very
beginning, and I thought this book would do that because of the opening,
however, it was a slow build of a book that didn't completely hold my attention
until the middle and even then, it wavered a little afterward. Now the scene
that interested me was as Adso and his mentor, William of Baskerville, are
climbing the hill to the abbey and they encounter a group of monks and servants
in disarray. Through observation and deductive reasoning, William is able to
discern that they are looking for the abbot's prized horse and which way the
horse went, to the amazement of the group, Adso, and the reader. I thought I was in
for some impressive sleuthing, but in fact, the investigation into the murders
(yes, plural, a lot of them actually) became a confused mess for William and
Adso and a dizzying read for the reader. The mystery was muddled by extraneous religious affairs of the past and an ongoing debate that had little to do with the mystery. Now, don't get me wrong, I thought the
prose was smart in creating misdirection about who the murderer was and the
conclusion of the truth was clever.
So here's a couple
of my notes:
I have a great deal of respect for the research and attention to detail and world building. That being said, the religious debates and history was way too long and extensive. The utility of the details was to show how it trickled down to the abbey and the monks, and perhaps it may have had more of an impact if I cared about the religious unrest of the time, but I do not.
My favorite parts were the true mystery of it all, like when William and Adso got lost in the labyrinth of the forbidden library and the reveal of the murders and the conclusion.
I have a great deal of respect for the research and attention to detail and world building. That being said, the religious debates and history was way too long and extensive. The utility of the details was to show how it trickled down to the abbey and the monks, and perhaps it may have had more of an impact if I cared about the religious unrest of the time, but I do not.
My favorite parts were the true mystery of it all, like when William and Adso got lost in the labyrinth of the forbidden library and the reveal of the murders and the conclusion.
Now this is only
part one. Of course, a book that caused me so much mental power and endurance
requires two parts. On Thursday, I will talk more in-depth about the actual
story. Until then, happy reading!
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